By Michael Penn
Transcribed here by me, Tom
Things to note:
[intro] Am C G Em One more for the collection you've got Am D on your wall G Em paint it in the frame until Dsus D you hire out a little stall C D and on a few, you've got to laugh Em A7 as you inscribe his autograph... A7 (2/4) Em A they are the ones that D C Em D everybody chooses Am C G Em beaut-i-ful ex-cuses Am D G Em Closing in on targets in an Am D open sight G Em each one spins a-round you and Dsus D a-round you like a satellite C D just take one down when times are tough Em A7 a diamonetta in the rough A7 (2/4) Em A they are the ones that D C Em D everybody chooses Am C G Em beaut-i-ful ex-cuses C B7 Em Always tragic perfect bait Em C they grip you as they captivate Em twist, but do not fabricate Em C then imply they implicate Em you get thirsty; while you wait Em7 A7 a demonstrator demonstrates that C C/B Am G D/F# D you've run out of holy water, dude.... G Em Am D Your works of art are hanging in the Parthenon G Em but where's the only one who ever Dsus D bothered to take you on C D you can't explain why that one's gone Em A7 until you put your finger on C D G C Em what-e--ver it ac-cuses Cmaj7 Em D beautiful forgery my C G B7 beautiful ex-cuses Em C7 all you ever wanted Em A7 someone who refuses Cmaj7 beautiful.......
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